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Carmen Herrera: Estructuras Monumentales: Abstract Sculptures at Buffalo Bayou ParkOctober 22, 2020 – April 23, 2021

Carmen Herrera: Estructuras Monumentales: Abstract Sculptures at Buffalo Bayou Park
October 22, 2020 – April 23, 2021

Carmen Herrera, “Untitled Estructura” (Red), 1962/2018, Acrylic and aluminum, 96 x 128 3/8 x 45 7/8 in. © Carmen Herrera; Courtesy Lisson Gallery. Photo: (c) 2020 Paul Hester, courtesy Buffalo Bayou Partnership

Buffalo Bayou Partnership (BBP) announced Estructuras Monumentales, a major exhibition of outdoor sculptures by 105-year-old artist Carmen Herrera (b. 1915, Havana, Cuba). Featuring four newly-created sculptures that were first envisioned nearly five decades ago, Estructuras Monumentales is Herrera’s first public art exhibition in Houston and only the second time that these large scale works have been presented globally. Organized in partnership with the New York City-based non-profit Public Art Fund, Estructuras Monumentales was first presented at Manhattan’s City Hall Park in 2019. This major survey exhibition offers Houston audiences a powerful and reflective experience that celebrates the full breadth of Herrera’s work in three dimensions.

New York-based Herrera is known for her vibrant, abstract geometric paintings, and first began conceiving her Estructuras series — the physical manifestation of her painted form in three dimensions — in the 1960s. The resulting aluminum structures feature strong lines and shapes, with bold monochromatic colors. Ranging from seven feet in height to over 12 feet in width, the colorful sculptures will enliven Buffalo Bayou Park at a monumental scale. The vivid red, blue, green, and white sculptures are sited in Fondren Foundation Meadow, the second temporary art exhibition to be featured in this location, following the 2019 installation New Monuments for New Cities, a collaborative public art project organized by BBP and the High Line Network.

Carmen Herrera, “Angulo Blanco” (White), 2017, Acrylic and aluminum, 84 x 120 7/8 x 19 in.
© Carmen Herrera; Courtesy Lisson Gallery. Photo: (c) 2020 Paul Hester, courtesy Buffalo Bayou Partnership

The Houston exhibition of Herrera’s Estructuras is part of BBP’s celebration of Buffalo Bayou Park’s fifth anniversary. Throughout the month of October, BBP will offer a range of virtual events and art installations that showcase the manner in which this iconic urban green space inspires creativity and innovation. This exhibition is especially resonant with the park’s anniversary because of its inclusion of four of Herrera’s sculptures, and complemented by a fifth, existing landmark, Henry Moore’s Large Spindle Piece (1969), that is permanently situated at the center of the site. Signage for this exhibition will be offered in both English and Spanish, and public programs will be organized throughout the run of the exhibition.

“We are honored to host this exhibition by Carmen Herrera, one of our world’s most important living artists, and to collaborate with Public Art Fund and the Museum of Fine Arts, Houston in celebrating Herrera’s legacy,” said Judy Nyquist, BBP Board Member and Co-Chair of the organization’s Public Art Committee. “As this is a highly-visible site in the park, thousands of Houstonians will have the opportunity to experience and be inspired by these works for free, in an outdoor environment that is inviting to all.”


Angulo Blanco (2017) is the first Estructura Herrera has designed in more than three decades. The dynamic chevron composition conveys movement and rhythm and is reminiscent of the many triangular and diamond forms from her iconic paintings. It presents both the solidity of a sculptural object and the weightlessness of a stark celestial shape ascending towards the sky. Pavanne (1967/2017) is a solemn, contemplative work that was conceived originally as a drawing in 1967 as a memorial to Herrera’s brother who had cancer. With a title that refers to the musical term for a slow dance, often as part of a funeral procession, Pavanne features three interlocking elements in a deep blue that solidly extends nine feet into the air and nine feet across the lawn. Gemini (1971/2019) receives its world debut in the Houston exhibition. This newly-fabricated sculpture and Untitled Estructura (1962/2018) are based on historic designs from the 1960s-early 1970s. They are each composed of two interlocking or embracing parts that demonstrate Herrera’s careful geometric balance, distilled palette, and bold use of color. Framing and incorporating the surrounding landscape into its forms, Herrera’s Estructuras will create a compelling conversation between the painted aluminum sculptures and their natural setting in the park.

Carmen Herrera, “Gemini” (Green), 1971/2019, Acrylic and aluminum, 84 x 151 1/4 x 15 1/8 in.
© Carmen Herrera; Courtesy Lisson Gallery. Photo: (c) 2020 Paul Hester, courtesy Buffalo Bayou Partnership

“At a time when public art is more vital than ever, we are thrilled to partner with Buffalo Bayou Partnership to bring Carmen Herrera’s Estructuras Monumentales to Houston audiences,” says Public Art Fund Curator Daniel S. Palmer. “Herrera’s breathtaking sculptures will fit perfectly within this natural environment complemented by the geometric and lively skyline of Houston. This is the ideal setting to highlight Herrera, an eminent artist who is finally receiving well-deserved recognition.”

See Also

Opening in concurrence with Buffalo Bayou Partnership’s exhibition is a presentation of Herrera’s works at the Museum of Fine Arts, Houston, on view from October 21, 2020 – January 18, 2021. Titled Carmen Herrera: Structuring Surfaces, it is the first exhibition at the Museum exclusively devoted to the work of the internationally celebrated artist and showcases more than 30 of her pieces from the 1960s to the present, including paintings, drawings, prints, wall structures and objects. Other Herrera exhibitions are currently on view at Lisson Gallery in New York (September 10-October 21, 2020) and The Perimeter in London (September 25, 2020 – January 8, 2021).

Born in Cuba in 1915, Herrera moved to Paris after World War II, where she spent the early part of her career and where much of her practice became fully formed. Settling permanently in New York in the 1950s, although Herrera became a part of New York’s abstract art scene, her work was largely overlooked until Herrera was in her 80s. Staying true to the pure, geometric abstraction she developed in post-war Paris, in recent years, Herrera has been recognized as a leading voice in the abstract and minimalist movements. Estructuras Monumentales celebrates Herrera’s long career and interest in three-dimensional form

Carmen Herrera, “Pavanne” (Blue), 1967/2017, Acrylic and aluminum, 108 x 108 x 72 in.
© Carmen Herrera; Courtesy Lisson Gallery. Photo: (c) 2020 Paul Hester, courtesy Buffalo Bayou Partnership

Carmen Herrera: Estructuras Monumentales is curated by Public Art Fund Curator Daniel S. Palmer. This exhibition was first presented by Public Art Fund in New York City at City Hall Park from July 11 – November 8, 2019. The Houston presentation of Carmen Herrera: Estructuras Monumentales is organized in collaboration with Buffalo Bayou Partnership and Public Art Fund.

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